Design
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Trevisani reworked
The above drawing is for sale at Bubb Kuyper’s 75 upcoming auction as lot 5120. It is presented as Anonymous from the late 17th to- beginning of the 18th century. As the images below show, it is a sketch inspired by the frontispiece to the Opus VI by Arcangelo Corelli. Francesco Trevisani, an artist and…
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Give me a print, I will turn it into a bowl
“This punchbowl, which was produced for export to England, is decorated with four scenes of musicians playing their instruments. The larger scenes depict European musicians while the smaller ones on the sides show Chinese musicians in concert. A print by an anonymous British artist served as the source for the painted scene on the bowl’s…
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Veronese docet.
Besides facing the legendary Gioconda in Paris at the Louvre, the Marriage at Cana by Veronese (1528-1588) – way more funny to behold, and definitely much bigger – served as iconographic source for many musical companies from thereafter. The iconic composition is echoed in numerous works by artists worldwide who took inspiration from Veronese’s painting…
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Music Iconography at the Morgan
Here is a selection of images from the online database of the Morgan Library and Museum . The works on paper date from the 17th century. Enjoy.
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From sketch to press: On printmaking
Latest blog post on Antiquariaat Arine van der Steur concerning the art of printmaking. Literally. http://antiquariaatvandersteur.blogspot.nl/2018/02/from-sketch-to-press-on-print-making.html
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The frontispiece of Il Colombo
Il Colombo overo l’India riscoperta, is a ‘dramma per musica’ written by cardinal Pietro Ottoboni in 1690 [link to Googlebook], published under the pseudonym of Crateo Pradelini (anagram of Cardinal Pietro). As one reads on the titlepage ‘da rappresentarsi al teatro tor di Nona’ the libretto was published before the staging (28 December that year).…
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The plate and the painter: on a little discovery in late 2017
Countless are the ways music and visual arts meet. Here is the short account of what was recently discovered behind a painting on copper.* This tale begins at the beginning of last summer, in June, on my trip back from Arezzo. A dear friend in Bologna, Tommaso Pasquali, introduced me to Camillo Tarozzi, a renowned…
Anna Bianco 