Ah, social media! What a source of interesting information you are! Yesterday Prof. Steve Gillam shared on his Facebook profile the amazing video I am posting here as a link: https://www.facebook.com/steve.gilliam.75/videos/10156987128758689/. 100% worth watching. Continue reading Baroque Scene Change
A selection of works of art with auctioned at Bonhams throughtout the late years. The images are drawn from their online catalogues. This gallery will be … Continue reading MI at Bonhams’auctions – a selection
In 1594 Hendrick Goltzius (1558-1617) engraved a set of large plates with the Stories of the Virgin, also called “The Masterpiece”. The plates, 6 in total, are really big and in each of them the engraver explicitly imitates the graphic language … Continue reading Goltzius’ Self-portrait
Oh yes, former Haarlem major and book publisher Jan van Suren (1517-1591), masterfully engraved in a very intense portrait by Hendrick Glotzius (1558-1617), a few years later appeared in a collection of Saints designed by Crispijn de Passe I (1564-1637), … Continue reading And the printer became Judas
The Neimeijer archival boxes contain mainly excerpts from auction catalogues. The works of art documented, belong to any age and are realized with any technique, from painting to print, from drawing to sculpture. Today, while working on files with men … Continue reading The Neimeijer Archive pt.2: notes on a portrait
Latest blog post on Antiquariaat Arine van der Steur concerning the art of printmaking. Literally. http://antiquariaatvandersteur.blogspot.nl/2018/02/from-sketch-to-press-on-print-making.html Continue reading From sketch to press: On printmaking
(…) In September 2017 Dr J.W. Neimeijer, director of the Rijksprentenkabinet from 1974 to 1990, presented the RKD with an extensive art-historical collection of images of Northern and Southern Netherlandish paintings and drawings from the eighteenth and the beginning of … Continue reading Music Iconography in the Archive J.W.Neimeijer @RKD
Il Colombo overo l’India riscoperta, is a ‘dramma per musica’ written by cardinal Pietro Ottoboni in 1690 [link to Googlebook], published under the pseudonym of Crateo Pradelini (anagram of Cardinal Pietro). As one reads on the titlepage ‘da rappresentarsi al … Continue reading The frontispiece of Il Colombo
Countless are the ways music and visual arts meet. Here is the short account of what was recently discovered behind a painting on copper.* This tale begins at the beginning of last summer, in June, on my trip back from … Continue reading The plate and the painter: on a little discovery in late 2017
